By definition, the modern practice of history begins with written records. Evidence of human culture without writing is the realm of prehistory.
Contents [ show ] Synopsis The film opens with the depiction of the year —a possible future where mankind has been oppressed by artificially intelligent machines, lead by the rebellious computer system Skynet. This computer became sentient and started a nuclear war by hijacking control of the United States' nuclear arsenal, launching the ICBM's in a devastating attempt to annihilate humanity.
Subsequently, a post-apocalyptic war is raged in the future, where a small Resistance group of free humans try to win back their planet and survive the machine onslaught, lead by the heroic, influential General John Connor.
Connor is the man responsible for the creation of the human resistance, and credited with rescuing mankind from extinction by rallying survivors to combat Skynet's forces. A writing a film treatment example story appears on the screen, stating "The machines rose from the ashes of the nuclear fire.
Their war to exterminate mankind had raged on for decades. But the final battle will not be fought in the future. It would be fought in our present T Model Infiltrator Unit.
Since the time machine Skynet uses is only capable of sending organic matter clothes, weapons, etc.
The cyborg assassin, able to travel due to being covered by living organic skin that protects the robotic metal endoskeleton combat chassismust also abide by these rules and arrives nude as well. The T, knowing it must wear clothes to maintain cover and infiltrate modern society, confronts the first people it meets that have compatible clothing sizes.
In this case, they are three punk rockers drinking by a observation telescope at Griffith Observatory. The T approaches them and, after some verbal sparing, demands their clothing.
The T proceeds to knock the knife-wielding punk unconscious, then uses its bare hand to remove the heart of the second punk by punching through the flesh below the ribcage so violently that it lifts the second punk a foot off the ground. The third punk, having just seen his two friends so easily dismissed by what appears to be a nude, muscle-bound psychopath, begins to strip and offer his clothes to the Terminator.
After stealing a large amount of deadly weaponry from the Alamo Sports Shopthe T begins to systematically hunt down and shoot every person listed as "Sarah Connor" in the phone book, in alphabetical order, to guarantee no mistakes with identity.
Meanwhile, in another part of Los Angeles, human resistance soldier Kyle Reese has arrived through time as well, tasked with protecting John Connor's mother from the Terminator, which was sent back as a last-second act of desperation by Skynet to eliminate its enemy's entire existence.
He steals clothes from a homeless man and a shotgun from an unattended police vehicle. The remaining Sarah Connor, a hapless year-old waitress with a dull life, who lives with her best friend and roommate Ginger Venturafinds out about the other two Sarah Connor murders on television.
Worried by the name connection, and noticing that she is being followed by her unknown protector, Kyle Reeseshe takes shelter in a local club called TechNoirwhere she calls police for protection. While there, the Terminator and Reese both arrive to acquire her.
A film treatment (or simply treatment) is a piece of prose, typically the step between scene cards (index cards) and the first draft of a screenplay for a motion picture, television program, or radio play. Sample Script Treatment. Out of the Darkness. Act 1: Waking Up; Simon wakes up. He doesn’t know where he is or why he’s there. He can recall fuzzy memories of . Screenplay Treatments by Marilyn Horowitz Treatment writing is a skill that can help any screenwriter succeed, at any point in the creative process. It can also help jump-start a professional writing career because a strong treatment communicates the screenwriter’s movie idea in a brief but compelling way.
Reese, not knowing what the Terminator looks like, has to wait for it to make a move before he is able to intervene and save Sarah from the Terminator. The Terminator and Reese wreak havoc at the disco in their ensuing firefight, The Terminator killing six people in the process.
Reese empties his stolen police shotgun into the Terminator's chest, knocking it into a reboot cycle. He then grabs Sarah and they both flee in a stolen vehicle while the Terminator pursues in a hijacked police car.
While fleeing, Kyle tells the terrified Sarah what is going on, to her initial disbelief. After an intense shootout between Reese and the attacking Terminator, the police arrive and arrest Reese and Sarah and bring them to West-Island police station.
The Terminator escapes unseen, and breaks into a hotel room to perform self-repairs on its damaged eye and right arm, having to cover the damage with sunglasses.
At the police station, Sarah is reassured and interviewed by criminal psychologist Peter Silbermanwho believes that Reese is insane; delusional; a "loon. The police also have "logical explanations" about the Terminator; they think he survived several bullets with a bullet-proof vest and that when he smashed through a windshield with his bare hand, he must have broken every bone in his arm.
However, mere minutes later, the Terminator arrives at the station, and when denied access to see Sarah, casually utters to the desk sergeant " I'll be back ", before driving a car directly into the lobby, destroying the lobby and killing the desk sergeant.
The machine, now heavily armed with an AR carbine and a SPAS shotgun, begins a one-man massacre on the station, killing 17 police officers in its determined search, causing a power outage, setting a fire, and greatly damaging the building in the shootout.
Part of the station eventually collapses. Reese and Sarah are able to escape once again, and go into hiding in a cave.Instead, write the treatment – it’s a surefire way to help you decide if the story you have in mind is worth pursuing.
Of course, if you don’t feel like putting weeks’ worth of writing in to flesh out a full draft just yet, you still have one more pitch-able idea in the vault if necessary. A film treatment (or simply treatment) is a piece of prose, typically the step between scene cards (index cards) and the first draft of a screenplay for a motion picture, television program, or radio ashio-midori.com is generally longer and more detailed than an outline (or one-page synopsis), and it may include details of directorial style that an outline omits.
How to write a documentary treatment or proposal A treatment is a short story narrative written in simple, non-technical language (ie.
no camera angles, transitions, etc.). of the film • Has any media work already been produced on this subject?
A film treatment (or simply treatment) is a piece of prose, typically the step between scene cards (index cards) and the first draft of a screenplay for a motion picture, television program, or radio play. Writing Treatments That Sell: The treatment must set the mood of the film. Finally, the treatment must introduce all the main and supporting characters that will have a crucial role in the film. Instead, write the treatment – it’s a surefire way to help you decide if the story you have in mind is worth pursuing. Of course, if you don’t feel like putting weeks’ worth of writing in to flesh out a full draft just yet, you still have one more pitch-able idea in the vault if necessary.
If so, what is new. Writing Treatments That Sell: The treatment must set the mood of the film.
Finally, the treatment must introduce all the main and supporting characters that will have a crucial role in the film. Learn why you should ignore the advice that writing a film treatment is a great way to plan your spec script before writing it with expert Staton Rabin.
A Day of ashio-midori.com Gandhi once said, “The power to question is the basis of all human progress.” Embrace that power by spending a full day or week coming up with questions connected to everyone and everything around you.