The most obvious is that he has just been passed over for a promotion which has gone to Cassio. He confesses to Roderigo that this is the reason for his hatred; the reason for his desire to ruin Othello:
Timeline Othello Characters guide studies each character's role and motivation in this play. The Duke hopes Othello's leadership of his Venetian forces will see the Venetian's triumphant. When Brabantio tries to have Othello punished for allegedly seducing his daughter Desdemona with witchcraft, the Duke displays his wisdom, learning the truth by allowing Brabantio, Othello and Desdemona to tell their sides of the story.
He later wisely tells Brabantio to accept Othello and Desdemona's marriage, arguing Brabantio will gain a "son" in the process.
Othello - Character Analysis of Iago In William Shakespeares Othello, the character Iago is, at least in my point of view, the main and most interesting character. pdf), Text File . Essay on Iago Character Analysis Words Mar 22nd, 5 Pages William Shakespeares Othello is a play that mostly revolves around jealousy, trust and revenge. tragedies begin with ancillary figures commenting on the character who will turn out to be at the center of the tragedy-one thinks of Lear, Macbeth, which Othello belies lago's description as soon as he appears; in the class- Citations of plays other than Othello follow William Shakespeare: The Complete Works, ed. Alfred Harbage. Mar 07, · Well I read Shakespeare and a way to prove lago is a round character is basically should write about the good and bad side of him which would be all round and you can get into detail about one major good or bad thing he ashio-midori.com: Resolved.
Desdemona's father and a senator in Venice, he is initially outraged in Act I, Scene I when Iago and Roderigo unfairly report that his fair daughter has been seduced by Othello who must have been using "magic" to persuade her to be intimate with him. Told by the Duke to accept Othello and Desdemona's marriage, Brabantio resists, never liking Othello despite his reputation as a soldier, which is how Othello is readily accepted and respected by the Duke and others Brother to Brabantio, we see little of him, except largely in Act V, Scene I, when he discovers with Lodovico, the wounded Cassio, thought to have been wounded by Roderigo when we later learn it was really Iago who stabbed him.
In Act V, Scene II, Lodovico criticizes Othello for murdering his wife Desdemona and falling from grace to act like a common slave not the respected man he once was.
Additionally, Lodovico plays an active role in the discovery process of Iago's treachery, by finding on the dead Roderigo a note indicating Cassio was to be killed, learning that Othello killed Desdemona, discovering Othello's and Iago's plot to kill Cassio and finally learning the sad story of how Othello's handkerchief was used by Iago to manipulate Othello into believing his wife was unfaithful which led to her death as well as Iago's wife, Emilia.
Responsible by nature, he seizes control of events in the final scene, taking Othello's sword from him after he wounds Iago and later places Cassio in charge of the evil Iago while he heads abroad to recount the sad events that have happened in Cypress. A noble "Moor", in the service of the Venetian State, Othello is introduced to us in the very first scene by the term "Moor", when Iago complains that Othello has made Cassio his lieutenant and not him.
We also learn from Iago that Othello has a relationship with the fair Desdemona. Respected by the Duke of Venice, who is the first to address him by name Othello in Act I, Scene III and who sends for him when Cypress is threatened by Turkish forces, Othello is continuously described by his critics Brabantio, Iago as a "Moor" a reference to his dark skinned appearance and a reference to the race of Muslim peoples of north-western Africa to which Othello belongs.
Though made Governor of Cypress in Act I, Scene III, Othello's fortunes rapidly change for the worst as Iago succeeds in making Othello believe his loyal wife is having an affair with his lieutenant Cassio, a belief that leads to Othello killing his loyal, loving wife and later himself when he realizes that he was wrong and merely tricked by Iago.
Tactful and wise, Othello does not fight Brabantio when he accuses him of bewitching his daughter in Act I. Instead he offers no resistance and speaks with Brabantio before the Duke where Othello with Desdemona's testimony, proves his marriage is one made of love not witchcraft.
Nonetheless he allows the threat to his pride that Desdemona's infidelity would represent, to allow him to trust Iago on some very circumstantial evidence Iago saying Cassio boasted of sleeping with Desdemona, Cassio having Desdemona's handkerchief and Cassio talking about a woman Othello does not realize is Bianca which leads to his murdering his wife, to prevent her abusing other men when we really know it is to avenge his own pride.
Ultimately Othello realizes this but too late after killing his loving and trusting wife. Othello does stab Iago in revenge but Iago lives, whilst Othello does not, committing suicide shortly after realizing he misplaced his trust in Iago when he should have trusted his wife.
In addition to losing his life, Othello also loses his reputation in Act V, when Lodovico scolds Othello for acting like a common slave, when until recently he was so much more, a man well respected by the Duke of Venice amongst others. A tragic figure, Othello allowed his misplaced trust in Iago's honesty and his pride to undo all that he had Othello's friend, Cassio was made Othello's lieutenant rather than Iago who expected the appointment.
Disrespectfully described by Iago as lacking real "battlefield" experience, Cassio is instead a schooled soldier, not one who learned his craft on the front-line as Iago has. Deeply admiring of Othello's wife Desdemona, it is this admiration that Iago uses to suggest he is having an affair with Desdemona, leading to her death and indirectly that of Emilia and Othello as well.
Through the course of this tragedy, Cassio's fortunes change considerably. In Act I, he is Othello's loyal and trusted lieutenant.
In Act III, Iago is Othello's remorseful friend who hopes Desdemona's good words will reinstate him, unaware that they merely implicate him in Iago's plan to make him look like Desdemona's lover and Cassio also reveals himself to be a neglectful boyfriend to his mistress Bianca.
In Act IV, Cassio is manipulated into talking about his girlfriend Bianca, unaware that Othello, hiding nearby assumes his hand gestures are descriptions of Desdemona. Finally in Act V, Cassio first fights off an ambush by an Iago manipulated Roderigo, then is stabbed by Iago in the dark to later outlive Othello, Desdemona and Emilia and be placed in charge of the now exposed and captive Iago.
Othello's ancient, a position below lieutenant. Perhaps Shakespeare's most evil figure, not for his treachery which is arguably surpassed by Macbeth who kills his king in his sleep while staying at his castle as a trusting guestbut for the manner in which he effortlessly manipulates all those around him to do his bidding kill Cassio, destroy Othello, discredit Desdemona's virtue by taking advantage of their trust and using his victim's own motivations Roderigo's desire for Desdemona, Cassio's desire to be reinstated and weaknesses Othello's pride, Cassio's impaired judgment whilst drunkto achieve his ends.
Though Iago does kill when he stabs and murders Roderigo, he created most of his devastation through the use of others who unwittingly follow their own agenda which Iago subverts to achieve a web of events which succeeds in making Cassio first lose his position as Othello's lieutenant, then petition Desdemona to be reinstated which allows Iago to suggest Desdemona's adultery and later to motivate Roderigo to kill him Cassio.
Iago's character is complex, but in Act I, Scene I, where he describes his disgust at being overlooked for Othello's lieutenant, we can see that a primary motivation for Iago's skillful manipulations was revenge and anger; revenge for Cassio replacing him, anger that Othello overlooked him.
Thus it can be seen that Iago's manipulations are driven by a basic desire to avenge those who hurt him but also to gain what he believes is his, indeed Iago's suggestion that Cassio and Desdemona are having an affair earns Iago Othello's trust and the position as his lieutenant in Act III, Scene III.
However being made lieutenant only satisfies his pride, his continuing with his plan to discredit Desdemona shows us that it is not enough for Iago to have what he believes is his, he must punish Othello for overlooking him in the first place by making Othello disbelieve and destroy his virtuous wife We see this in the manner in which he uses opportunity to aid his plan to hurt Cassio and Othello.
When Iago realizes Cassio's admiration of Desdemona, he immediately formulates a plan to use this to make Othello suspect adultery. Though Iago appears to have the goal of misery for Othello and Cassio, he does not appear to have a specific detailed plan, he continually refers to using insights he makes about Cassio, Othello, Roderigo and Desdemona to further his plan in his asides in the play.
Iago's pragmatism is also evident in his use of Roderigo.
He uses this well-healed wealthy Venetian for money by promising to forward gifts on to Desdemona he instead uses for his own ends. However when Roderigo suspects this in Act V, he plots to have Roderigo kill Cassio since if Cassio wins, he still wins by having Roderigo eliminated.
Ultimately this fails, so Iago kills Roderigo himself. Cunning in the extreme, Iago nearly gets away with his plan; Othello does kill Desdemona, Iago is made lieutenant, but Cassio despite his attack in Act V, lives and he Iago is eventually caught and exposed.
If Iago has an Achilles heal, it was his wife Emilia, who despite threats and orders from Iago, revealed to all Iago's treachery by declaring Desdemona's innocence and explaining how she found Desdemona's handkerchief, passing it on to IagoOthello, one of Shakespeare's greatest tragedies, is part of Manga Shakespeare, a series of graphic novel adaptations of William Shakespeare's plays.
Drawing inspiration from trend-setting Japan and using Shakespeare's original texts, this series - adapted by Richard Appignanesi and illustrated by leading manga artists - brings to life the. Character Study of Iago in William Shakespeare's Othello Essay - Character Study of Iago in William Shakespeare's Othello In 'Othello', Iago works to bring about the downfall of the characters that he hates, particularly Othello and Michael Cassio.
In the play Othello by William Shakespeare, to take revenge because he suspects that his wife has slept with Othello. However, more than that, lago is racist. Othello: Character Analysis. IAGO & SEX: British actor and director Kenneth Branagh as Iago in the film adaptation of William Shakespeare's Othello.
Homosexuality is a theme both hinted at . Othello - The play’s protagonist and hero. A Christian Moor and general of the armies of Venice, Othello is an eloquent and physically powerful figure, respected by all those around him.
In spite of his elevated status, he is nevertheless easy prey to insecurities because of his age, his life as a. Iago (/ i ˈ ɑː ɡ oʊ /) is a fictional character in Shakespeare's Othello (c.
–). Iago is the play's main antagonist, and Othello's standard-bearer. He is the husband of Emilia, who is in turn the attendant of Othello's wife Desdemona.