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Caterina Preda has had several undergraduate, post-graduate, and postdoctoral scholarships in Europe and South America. Caterina works on topics related to art and politics in modern dictatorships in South America and Eastern Europe as well as on issues related to art of memorialization in the two areas.
She has published several scientific articles in international peer-reviewed journals, as well as chapters in volumes published at important publishing houses such as Routledge, Ashgate, or Palgrave. Among his publications are: His thesis dealt with the communist repression and with the role of bureaucrats in communist Romania His research interests focus on the communist repression, the Securitate, and biographies of the perpetrators.
Cristina has specialized in the history of contemporary art, with a focus on curatorship. She has cultivated an interest in the archive study of the Union of Visual Artists in Romania UAP ever since when the results of her archive research were published in a special issue of the journal Studia Politica No.
A radiography of Romanian Art after Presently, Cristina Stoenescu focuses her research on UAP's recent history, in terms of attempted institutional reforms and artistic projects. She delivered several lectures: She published in the collective 11 Biographies of the authors volumes Enchanting Views.
Romanian Black Sea Tourism. Planning and Architecture of the s and 70sAfter Brancusi. She is the author of several exhibition projects and studies on modern Romanian art.
Among her most recent publications are: Official Romanian fine arts between and Bucharest: National Museum of Art of Romania, Inshe earned her doctorate degree from the University of Illinois at Chicago for her dissertation titled: Socialist Realism in Romania Her interest in the ways in which underrepresented, ephemeral, and personal art objects can empower the individual to become a maker of knowledge informs her poetry as well as her research and teaching.
The recipient of numerous grants and fellowships, Mirela Tanta has continued to present her scholarly work internationally on the subjects of memory, visual culture, and artistic agency under dictatorships.
His research interests center on the Cold War and post-communist periods, state socialism, nationalism, memory studies, oral history, popular culture, as well as official and alternative culture.
His region of specialization is Eastern Europe, with a particular focus on Romania. She investigates institutional practices of Socialist Realism, particularly such problems as the relationship between the artist and the State in the Soviet Union, forms of their collaboration and different strategies that helped artists to escape from the state ideological control.
Vera Otdelnova has published scientific articles at Russian peer-reviewed journals such as Aktual'nye problemy teorii i istorii iskusstva Actual Problems of Theory and History of ArtDom Burganova. Prostranstvo kul'tury Burganov House. The space of cultureor Observatorija kul'tury Observatory of Culture.
The Bulgarian case in the South-East European context, which she is writing under the coordination of Dominique Poulot. Her field of research is the history of architecture in Serbia and former Yugoslavia in the XX century, especially architectural typology and the relationship between architecture and ideology.
She defended her Ph. She was the co-author of several exhibitions in Belgrade and other cities of the Balkan region regarding the Serbo-Czech architectural relationships, the Sokol movement, and the Memorials of the Second World War in Yugoslavia.
She also participated in numerous international conferences in Serbia, Slovenia and France, and she published a significant number of articles in many distinguished scientific journals.
Several aspects have been analyzed, such as the role of the communist parties, and of the secret police forces, the policies of the communist regimes including the collectivization of agriculture, the cold war logic, the different national models, and the varying influence of the Soviet Union.
This lack of scientific attention contrasts with the importance of the transformation conveyed by the communist regimes. The communist regimes imagined a comprehensive visual representation of their understanding of the world, and artworks were commissioned by the state, which offered extensive rewards to artists, who were encouraged to comply with the political and ideological rigors of the new establishments.
Polirom, ; Anna M. Gryzmala-Busse, Redeeming the Communist Past: Comparison and Entaglments Budapest, New York: Artists under state socialism London:Home» Writing Environments.
TITLE. Writing Environments. AUTHOR(S) KREUTER, NATE. PUB. DATE. October (CU REFERIRE LA "MOARA CU NOROC" DE I. SLAVICI). Mihăilescu, Dumitru // Studii de ÅžtiintÄƒ ÅŸi CulturÄƒ;Dec, Vol. 4 Issue 4, p An essay is presented on various influences in life.
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am uitat numărul ei de telefon! These psycho-affective states can be spontaneous reaction to certain stimuli Interjections presenting one or two expressive acts In the following utterances, the interjection uf! renders.
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